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Nightlife in New York City often feels like theater—an urban spectacle where entrance is a carefully choreographed ritual, complete with cover charges, dress codes, and velvet ropes. Recently, during New York Fashion Week, I experienced firsthand how the guest of honor—gender itself—became part of the price of admission. At Somewhere Nowhere , advertised as the official after-party for the fashion event I attended, I stood outside in sharply divided lines that crystallized the economics and power dynamics driving nightlife in major cities. I arrived at the venue under the impression that, as press with a badge clearly indicating my presence at the show, entry would be straightforward. The signage and press materials promoted a glamorous and exclusive after-party. But at the door, gilded fantasies dissolved into a transactional reality. Two lines: one for women and one for men. Three bouncers stood at the entrance, but the real gatekeeper was the clipboard-wielding man—silent but authoritative. Women were admitted with little fanfare—about five at a time—while men were forced to make financial concessions. My options: a $300 bar tab, or purchase a $750 bottle to secure a table. Other men in line—many younger—were presented with the same or told they could enter only if they booked a $1,500 table. This wasn’t about style or exclusivity. It was a calculated, gendered economic transaction. Nightclubs chase profit with a formula that often excludes fairness: minimize giveaways, ensure male patrons spend, and let women’s presence carry the room’s energy. Cover charges and tickets cover just a fraction of overhead. The true earnings are in bottle service, premium liquors, and VIP packages—usually bought by men with the perception that doing so elevates the entire experience. Free or discounted entry for women is a marketing tactic, not generosity. Women become social currency: their attendance generates desirability, attracts male spending, and justifies inflated prices. At Somewhere Nowhere , the ratio—five women to one man—underscored how male patrons were expected to subsidize the event with their wallets. What I witnessed at that threshold was unapologetic. The price of masculinity was money. This dynamic isn’t just common—it’s increasingly under legal scrutiny. A recent lawsuit in San Diego highlights the growing backlash against gender-based pricing. In 2020, Omnia Nightclub was sued after hosting a “Ladies’ Night” event where men paid full admission while women entered free or at a discount. The bar also allegedly frisked men upon entry, but not women. In 2025, a judge preliminarily approved a $7 million settlement over this gender-based discrimination case. The Independent The litigation—and its size—signals that what many dismiss as nightlife marketing may in fact collide with civil rights law. Another illuminating case is a newly opened women-only nightclub that closed after just one night. Though it opened to crowds, it generated almost no bottle service or VIP section sales—the very financial engine most nightlife businesses depend on. Despite the buzz, the absence of male spending made the model unsustainable. These two examples—one legal, one structural—mirror my experience outside Somewhere Nowhere. Omnia’s lawsuit highlights that discounting based on gender is not only unfair, but may be unlawful. And the women-only club’s economic collapse offers stark proof that nightlife economics rely heavily on male spending. So what does this mean for men navigating New York City’s nightlife? For starters: resist being the default bank for nightlife’s marketing strategy. Clubs thrive because men pay to be seen, to impress, and to subsidize the environment in which others are offered no-cost entry. This model is predicated on a social barter—your money for perceived access. After refusing to pay $300 for a bar tab I wouldn't use, I joked that if every man in that line just handed $300 to one woman in the other line, they'd all walk away together—and the club would be empty. It’s an absurd hypothetical, but it underscores the transactional absurdity of the setup. Beyond economics, there’s a social cost: these pricing structures reduce human interaction to dollars and visibility. Want in? Pay. Want to mingle? Pay more. Want to be seen? Pay even more. For men, it becomes not just about money, but value—are you worth the price tag? And for women, free entry can unintentionally reinforce the idea that they are part of the ambiance, rather than patrons of equal value. Their presence becomes leveraged to stimulate spending, making them a tool of commercial design rather than valued guests. There are alternatives: smaller, curated venues where atmosphere, conversation, and authenticity matter more than hype. Think lounges, jazz bars, or private rooftops—places where the music is gentle, the price is fair, and the dialogue is real. Here, exclusivity is earned through connection, not money. If a club looks designed to extract maximum money rather than deliver genuine experience, walk away. Exclusivity doesn’t always mean quality. Big clubs pander to ego. Small venues cater to experience. Meaningful nights come from atmosphere, not ledger entries. As nightlife rebounds post-pandemic, it’s time to ask: are we buying an experience, or paying to fuel a pretense? If your presence only has value because of what you spend, the night might not be serving you—it’s using you. Seek out experiences where value is mutual, where vibe outweighs vanity, and where people are seen for who they are, not how much they spend. In nightlife, the house doesn’t always win—but knowing how you value yourself can shift the odds.

New York City is celebrated as one of the top fashion capitals of the world, and for good reason. Some of the most iconic brands in the world have origin stories that started there. But also, Twice a year, every February and September, the city transforms into a runway, with shows scattered across Manhattan under the grand banner of New York Fashion Week. On the outside, it looks like the most glamorous event imaginable—celebrities appearances, influencers on the front row, flashing lights, and a parade of looks that set the tone for the season ahead. And yes, if you’re into fashion, it’s a bucket-list event. But after years of attending as a professional in this industry, I can tell you there’s much more to NYFW than the Instagram-worthy moments. If you really want to take in the experience as a guest, stick around—I’ll break it all down. Among my circle of industry friends, we jokingly call Fashion Week “Halloween Week.” Why? Because for five days, we all dress like we live in The Capitol from The Hunger Games and descend on the city in our most avant-garde looks. It’s fun, it’s theatrical, and it’s a chance to fully embrace the art of fashion. This is the one week where that statement sports coat you only wear once a year finally makes sense—because for any other setting in life, it’s just a little too much. After years of attending, I’ve come to see Fashion Week as three very different tiers: showcases, experiences, and productions. In my view, Showcases are the “small room” shows of NYFW. They’re often are open to the public and staged in highly visible spots like Times Square, where thousands of tourists can wander by and catch a glimpse. Other times, they’re tucked into small, privately rented venues—rooms that feel more like banquet halls than fashion stages. You can usually tell what you’re walking into as soon as you see the setup: plastic banner backdrops, no elevated runway, lighting that doesn’t flatter, and press boxes that aren’t leveled. These shows don’t typically attract big-name influencers or celebrities, but they do give designers and models a chance to put something on their résumé and gain exposure. For newcomers, they’re a steppingstone. For seasoned industry professionals, they’re not usually where the magic happens. At the opposite extreme are the big-name productions—Calvin Klein, Tommy Hilfiger, and the like. These shows are backed by entertainment powerhouses like WME, fueled by million-dollar budgets, flawless execution, and professional teams managing every detail. They are the definition of production perfection. The challenge is access. Unless you’re well-connected, seats are nearly impossible to secure, even though they are technically “for sale.” For most people, your best bet is catching the recap on YouTube or social media. Then there’s the middle ground—and what I think is the sweet spot—the experiences. These shows are polished, ambitious, and accessible enough to give industry professionals, creatives, and even fashion lovers a real chance to be part of NYFW. Experiences deliver the spectacle people imagine when they think of Fashion Week, but they also create opportunities to network, build portfolios, and make connections. Two of the best examples are Runway7 and Art Heart Fashion. Both travel nationally to cities like Miami, Los Angeles, and Las Vegas, but it’s their New York productions that anchor them as true Fashion Week players. Runway7 is one I consistently recommend. Their shows are professional and tightly run, earning a solid 9 out of 10 for production. The energy is high, transitions between designers are seamless, and the entire day feels organized. Their go-to venue, Sony Hall , is iconic and adds a sense of New York history to the experience. That said, the stairs can be inconvenient, and the red carpet area is on the small side, which makes it a challenge for photographers—so I’d rate the venue an 8.5 out of 10. What Runway7 really excels at is creating networking opportunities. The breaks between shows are long enough to meet designers, models, and other professionals, and the official after-party extends that access into the night. Its well organized and accessible. I give them an 8.5 out of 10 for networking. As a guest, you’ll feel like you’re getting more than your money’s worth—easy check-in, swag bags, good seats no matter where you land, and plenty of chances to connect. Personally, I even enjoy sitting in the back row sometimes, because it’s the best spot for capturing full-body runway shots of both models and designs. "As a little person plug to this show, The program book to the show was well organized and perfect for those that want to purchase or connect with the designers. Solid 10 out of 10, A designer at a show, this is exactly what you want to see!" Art Heart Fashion is another standout in the experience category, though it feels distinctly different. Their shows lean more artistic and occasionally attract well-known influencers, adding buzz and excitement to the room. Production quality is strong, earning an 8.5 out of 10, though the flow isn’t always as sharp as Runway7. Their venue, the Angel Orensanz Foundation , is stunning. The gothic architecture and historic charm make the space unforgettable, and it sets a dramatic stage for the collections. I’d rate it an 8.5 out of 10 only because the layout can be tricky—narrow corridors, uneven steps, and large crowds can slow things down. Where Art Heart Fashion shines is networking if you have the right access. An All-Access pass gives you entry to the top floor, complete with a complimentary bar and plenty of opportunities to meet people. The rising popularity of Art Heart Fashion does mean bigger crowds, which sometimes makes it harder for first-timers to secure prime spots, and while they host after-parties, I personally didn’t find them to be as accessible as others. That said, I’d still score their networking at 8.5 out of 10, it all happens at the shows. What I think most of us want when we come to fashion shows is an simple and easy way to get a ticket, get to our seat, be excited and satisfied with the show, meet some creative people and have the exclusive looks at the clothes we hope to buy from our favorite designers. This is all delivered with both shows. So where does that leave us? If you’re heading to New York Fashion Week for the first time and want an authentic, accessible, and rewarding experience, Runway7 is a fantastic choice. It delivers professionalism, energy, and strong value without feeling unattainable. Art Heart Fashion is equally worth attending, especially if you’re looking for a dramatic, high-energy backdrop and an artistic vibe. Category Runway7 Art Heart Fashion Venue 8.5/10 8.5/10 Networking 8/10 8.5/10 Production 9/10 8.5/10 Drinks 7.5/10 (Cash Bar) 8/10 (Limited But Free) After Party 8/10 7/10 The smaller showcases are important for emerging talent, and the major productions remain aspirational, but it’s the experience shows that capture the true spirit of Fashion Week. They’re the perfect mix of glamour, accessibility, and opportunity—and they remind us that behind the flashing lights and Instagram posts, Fashion Week is really about connection, creativity, and building the future of fashion.

The Venice Film Festival has always been a celebration of artistry, glamour, and cinematic innovation, but few premieres generated as much anticipation as In the Hand of Dante , Julian Schnabel’s ambitious new film. Adapted from the novel by Nick Tosches, the film blends mysticism, poetry, and the relevance of Dante’s Divine Comedy  with a modern lens. Schnabel, known for his painterly style and brave direction, worked on this project for more than fifteen years, and its arrival in Venice marked not only the culmination of a personal journey but also one of the highlights of the festival. The film boasts one of the most powerful ensembles in recent years. Oscar Isaac delivers a performance of striking intensity in the central role, immersing himself in the inner struggles of an artist caught between devotion and rebellion. Gal Gadot brings elegance and poise, embodying a character that balances ethereal beauty with commanding strength. Jason Momoa infuses the screen with raw charisma, while Gerard Butler adds dramatic gravity, creating an ensemble that critics are already calling “magnetic” and “unforgettable.” This extraordinary cast, together with Schnabel’s visionary direction, makes In the Hand of Dante  not just a film but an artistic event. Early reviews from festival attendees suggest it is one of the most ambitious entries in this year’s lineup, blending literature, history, and modern existential dilemmas into a unique cinematic language. The premiere itself was a spectacle, with the red carpet transforming into a runway of international fashion and glamour. Among the most admired appearances was actress Silvia Kal, who charmed photographers and fashion critics alike in a radiant golden gown designed by Kaine Designs. The elegant dress was perfectly complemented by earrings from Colombian brand Patricia Acosta Jewelry. Another highlight of the evening was TV host, writer, and producer María Zabay, who arrived with her signature sophistication. Known for her versatility and elegance, Zabay’s presence underlined the increasingly global reach of Venice, where cultural figures from around the world come together to celebrate cinema. The event also drew attention from other stars and international personalities, each contributing to the magic of the night. The blend of Hollywood icons, European creatives, and global talent gave the red carpet a uniquely cosmopolitan atmosphere, proving once again why Venice remains one of the world’s most glamorous festivals. The screening itself was met with enthusiastic applause, underscoring the audience’s appreciation for Schnabel’s daring vision. For many, the film felt like a dialogue between past and present, art and life—a reflection on the timeless struggles of the artist, brought to life by some of the most compelling actors of today. But beyond the film, the night will also be remembered as a celebration of cinema’s enduring ability to unite cultures and voices.

Polish pop punk outfit CF98 is making their return this fall with Stupid Punk, their upcoming album set for release on October 24 through SBÄM Records (EU) and Double Helix Records (US). Available worldwide on vinyl and major digital platforms, the album showcases the Krakow-based band at their most confident and creatively evolved.

In a world where success often hinges on risk and reinvention, Lindsay Nahmiache exemplifies the kind of multidimensional entrepreneur who thrives on both. As the founder of Jive PR + Digital and co-owner of Veriphy Skincare , Lindsay brings a rare combination of marketing mastery, investment intuition, and global perspective to everything she touches.

Jessie Wagner isn’t just creating music—she’s creating an entire universe where genre lines blur and emotion reigns supreme. Her new single “ Wicked Cool ,” taken from her sophomore album War Within , is an exuberant statement of authenticity wrapped in rock, soul, and pop flair. “I choose to throw away the genre box and let my circle of sound continue to expand and grow,” Wagner says. And with “Wicked Cool,” she does just that—channeling raw, lyrical honesty into an irresistible groove that recently earned the title of “Coolest Song in the World” from Little Steven’s Underground Garage.

When it comes to the future of AI in the workplace, few voices are as compelling as Mohammed “Mo” Nasier, co-founder and CEO of General Agency AI . Backed by Y Combinator, Nasier and his co-founder Harvey Hu are building tools designed to push the boundaries of continual learning, automation, and real-world usability. Their flagship product, Tessa AI , is an “AI coworker” capable of turning natural language into workflows that operate directly inside the browser—clicking, typing, and completing tasks the same way a human would.

If you’ve ever wondered what ska punk sounds like without the horns but with all the grit, groove, and urgency—you’ll find it in Joker’s Republic . The Essex County, New Jersey trio has been carving their own lane in the ska-punk world with raw energy, sharp songwriting, and an unshakable camaraderie that shines both on stage and off. With their latest single Break The Cycle  now out and their upcoming album The Hand You’ve Been Dealt  set to release October 10 via Punkerton Records, the band is pushing forward with their most dynamic and danceable work yet.

Jay Bhatty isn’t just a leader in the energy sector—he’s an architect of innovation in an industry most people never see behind the curtain. As the founder and CEO of NatGasHub.com , he’s transformed how natural gas traders navigate North America’s sprawling pipeline network. And with the release of his best-selling book Nat Gas Millions , Bhatty is also emerging as a thought leader and educator, bringing transparency to one of the most critical—and confidential—markets in the world.

When you combine the precision of watchmaking with a lifelong obsession for bold flavor, you get Black Rain Pepper , a brand that's redefining luxury in the kitchen. At the helm is James Olmes, a seasoned entrepreneur whose journey from designing surf watches in the '80s to crafting one of the most innovative pepper mills on the market is as impressive as the product itself.

If there's a crime in ska-punk today, it's underestimating the energy and chaos that Benny Capaul brings to the stage. As the lead singer of The Boy Detective , Benny is no stranger to big feelings, big sounds, and even bigger performances. With the release of their new single Beth Truss —a brass-blasted anthem full of gang vocals and reckless joy—the Detroit-based band is once again taking their place in the punk spotlight. Their upcoming album Disco Lunch , produced by Roger Lima of Less Than Jake, drops November 7 via Punkerton Records.

Buckle up— Bella Cole has hit the gas with her latest single Drive , a high-energy pop-soul anthem that delivers a rush of adrenaline, heart, and vintage cool. At just 25, Bella is quickly becoming one of Toronto’s most magnetic new artists, blending funk, soul, and modern pop into a sound that’s uniquely hers. And while comparisons to icons like Amy Winehouse and Billie Eilish are flattering, Bella is forging a lane all her own.