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- Episode 188: Interview With Douglas Taurel
Douglas Taurel is a storyteller in the truest sense—an actor, writer, and producer who uses his craft not only to entertain but to illuminate the most personal and often overlooked corners of the human experience. With his solo play The American Soldier, now in a limited engagement at A.R.T./New York through December 21, Taurel steps boldly into the heart of America’s military legacy, channeling voices across generations, wars, and identities in a gripping 90-minute performance.
- Episode 187: Interview With Jaqueline Perez
Jacqueline “Jack” Perez is rewriting the script on aging. As the founder and CEO of Kuel Life , a digital platform dedicated to women over fifty, she’s building a movement that is part media outlet, part cultural shift—and entirely overdue. Her mission is clear: challenge outdated stereotypes, amplify real women’s voices, and show the world that midlife is just the beginning of something powerful.
- Episode 186: Interview With Dr. Tim Young
Dr. Tim Young is not your average chiropractor. With a background as a national-level bodybuilder, a Navy veteran, and now a leading voice in chiropractic entrepreneurship, Young’s journey has been defined by resilience, purpose, and a relentless drive to help others thrive. As the founder of Focus OKC, an internationally recognized chiropractic event, and the author of Millionaire Chiropractor , Dr. Young has crafted a platform that empowers practitioners to build not only profitable practices but meaningful lives.
- David Guetta & HYPATON Deliver Explosive Remix of RAYE’s ‘WHERE IS MY HUSBAND!’
In the ever‑evolving landscape of dance music, collaborations between high‑profile artists can either reinforce their legacy or chart bold new territory. With the official release of the remix of WHERE IS MY HUSBAND! by RAYE — reimagined by David Guetta and rising star HYPATON — the latter outcome clearly applies. The track hits streaming platforms now, and it arrives amid significant anticipation, social buzz and high expectations. RAYE’s original single made waves for its bold narrative, infectious groove and brass‑laden production. But in its new guise courtesy of Guetta and HYPATON, the track has been carefully re‑engineered for the festival circuit, radio rotation and club floors around the world. The remix reinvigorates the original’s core while amplifying its energy, making it a clear statement of intent for both the remixers and the song itself. The story begins with the viral snippet: HYPATON first teased the remix via social media, posting a short clip that quickly took flight online. According to the announcement, the snippet captured nearly ten million engagements and drew interest from major brands such as Bose and GAP. That level of momentum signaled not just a casual remix but one destined for mass appeal. In response to the demand, David Guetta and HYPATON delivered the full version — an official release that signals their commitment to marrying mainstream accessibility with electronic music’s larger‑than‑life presence. Listening closely, the remix opens with punchy piano chords that immediately evoke energy and movement. The arrangement then expands into stadium‑sized synths, deep bass pulses and driving rhythms built to ignite crowds. Guetta’s signature production touch is present — slick layering, clear separation of elements and a build‑release structure designed to maximize the moment on the dancefloor. HYPATON’s contribution takes the concept into yet more expansive territory, delivering a modern big‑room crispness that complements Guetta’s experience. The result is a festival‑ready anthem that seamlessly fuses mainstream and underground sensibilities. For RAYE, the remix offers a powerful extension of the original. The vocals remain intact — her commanding delivery, lyrical bite and contextual boldness preserve the track’s identity — but the sonic context shifts: this version invites her voice into bigger spaces, bigger rooms, and, potentially, bigger charts. Whether listened to via headphones or played through a massive PA at a festival, the remix amplifies the song’s emotional core while reframing it as a collective, high‑octane moment. The timing could not be better. Guetta, long established as one of the most influential DJs in the world, continues to expand his palette and adapt to contemporary tastes. His ability to remain relevant across decades — from house to pop‑dance to festival EDM — underpins his credibility in this space. Meanwhile, HYPATON, described in the press materials as “firmly positioned as one to watch,” brings fresh momentum. The Italian producer/DJ, having worked alongside rising names like BL3SS, cassö, Chocolate Puma and Henri PFR, and already teaming with Guetta on previous releases, now cements his place as a serious collaborator and curator of big‑room sound. It’s worth noting how the remix reflects broader trends in music‑culture today. The genesis via social‑media snippet underscores how virality shapes release strategy; the remix moves to capitalize on a piece of content that had already generated buzz and demand. The brand interest from Bose and GAP also speaks to how music is now embedded in multi‑platform ecosystems — tracks are not just audio experiences, but moments tethered to visual content, experiential promotions and lifestyle partnerships. In this environment, Guetta and HYPATON’s decision to answer the social momentum demonstrates a strategic alignment with modern release formats and audience behaviors. Beyond strategy, the remix also serves as a testament to the enduring power of collaboration in dance music. Guetta’s legacy provides infrastructure — the reach, the studios, the promotion — while HYPATON injects contemporary relevance and emerging‑artist energy. RAYE’s voice anchors the track with credibility, giving the remix an emotional heart rather than just a club weapon. Together, they create a synergy that lifts each participant: Guetta remains at the cutting edge, HYPATON elevates his profile, and RAYE gains an expansive new platform for her song to resonate. Noise around the release is already building. Social posts from the artists show the remix live in action, comment‑threads on forums like Reddit discuss its immediate impact, and streaming platforms list the track in key playlists within hours of release. For fans of electronic and dance music, this one doesn’t feel like a typical throwaway remix; it feels like a proposition — something built to dominate airwaves, soundtracks and late‑night sets. In terms of listening context, several moments stand out. The build‑up features a layered tension: subtle percussion, swelling pads and a rising piano motif. This transitions into a drop where synth stabs, rolling bass and vocal chops converge in high‑octane fashion. The break brings RAYE's vocals to the fore, stripped back momentarily, before the full production rush returns. The dynamic shift between space and sound is handled with precision — both producers clearly had the live‑setting in mind, where crowd reaction and energy flux matter above all. From a broader cultural standpoint, the remix validates the idea that a track can evolve beyond its original incarnation. The original song by RAYE already achieved significant acclaim and chart traction. But the remix now repositions it for growth in new categories: dance charts, streaming playlists tailored for high‑energy listeners, festival sets, and even brand collaborations or sync usages that favour grander sonic architecture. In short, it’s a second life, a re‑imagining that opens doors rather than simply offering a slight variation. The release also signals something about strategy in the EDM pop crossover world. Rather than releasing a remix later, this project had a snippet seeded in advance, brand involvement hinted at, and a sense of urgency around its release. That context gives it a marketing edge — fans already felt ownership over the moment before it officially hit. The track is thus positioned to perform strongly upon release, rather than relying purely on post‑release discovery. For Guetta and HYPATON, this might also be the foundation for future partnership. While Guetta is no stranger to teaming up with rising producers (and established ones alike), this project suggests he sees HYPATON as a creative partner with whom to push into fresh territory. For HYPATON, working alongside a global icon gives him exposure; for Guetta, collaborating with someone younger and digitally native keeps him connected to the shifting landscape of club culture, streaming and social‑first tactics. Meanwhile, for RAYE, the remix strengthens her position within both pop and dance realms. Having established herself as a force in songwriting and as a breakout headlining act, this remix helps her bridge further into major EDM crossover territory. It offers a route into festival sets, DJ‑friendly playlists and global dance audiences who may not yet be fully aware of her broader catalogue. Some may argue that the success of the remix will depend not just on production but on promotion, playlisting and live performance uptake. For a track to go viral, to dominate charts and airwaves, it must be embraced by DJs, featured in club sets, and celebrated on social platforms. Given the early snippet‑moment, brand interest and high‑profile collaborators, the conditions seem favorable. But ultimately, execution on the ground — DJs playing it, listeners streaming it, crowds reacting to it — will determine whether this turns into a major landmark or simply a strong niche offering. In reflecting on their body of work, this remix aligns neatly with Guetta’s broader pattern of rejuvenating his sound by working with younger talent and brand‑driven partnerships. His earlier collaborations with RAYE — notably their 2019 track “Stay (Don’t Go Away)” — indicate a longstanding creative relationship. The current project deepens that alliance, while adding HYPATON as a new axis of innovation. On the other hand, HYPATON’s ascent reflects a shift in how dance‑music careers are built. Rather than rising solely through club credentials, producers today are making their mark via social media virality, brand tie‑ins and strategic collaborations. His previous work with other rising names and festival residencies at clubs such as Hï Ibiza and Ushuaïa give him the club‑street cred; now this high‑profile remix gives him the global dimension. For providers of lifestyle content — such as what we cover here at Savoir Faire — the remix offers an opportunity to comment on broader trends: the intersection of music and lifestyle branding, social‑media driven release strategies, the blending of club culture with mainstream pop, and the continuing evolution of legacy artists into contemporary relevance. The track sits at the nexus of those phenomena. From a sonic‑analysis perspective, the remix deserves attention. The use of piano chords is not incidental: piano‑driven house has made a strong comeback over the last few years, and here it functions as both a melodic hook and crowd‑engagement device. The drop doesn’t rely solely on aggression; it layers melody and rhythm in a way that appeals to both casual listeners and dedicated dance‑floor architects. The vocals are treated with clarity, placed high in the mix so that RAYE’s delivery is not lost beneath production layers. That balancing act is evidence of skilled production and engineering. In an era where tracks can be “remixed” so casually that they lose the essence of the original, this version manages to retain the soul of RAYE’s performance while opening the soundscape dramatically. That is a key achievement: the remix feels like a new version, not simply a louder version. It offers the existing fans of the original something fresh, while providing an entry point for new listeners who may only encounter it via festival sets or curated playlists. As for the future, the remix’s performance will likely inform where each artist goes next. For RAYE, strong charting or streaming success could expand her dance‑pop credentials and open doors to more collaborations of this type. For Guetta, it reaffirms his ability to stay ahead of the curve and collaborate with digital‑first, young‑skilled producers. For HYPATON, it could mark a turning point — from rising name to global collaborator — and position him as a go‑to producer for high‑impact remixes. In closing, the release of “WHERE IS MY HUSBAND! (David Guetta & HYPATON Remix)” is more than just another remix. It is a strategic, creatively ambitious endeavor that brings together three major players at different points of their careers and consolidates their strengths into a singular moment. With energy, style and market awareness all aligned, the remix is poised to make significant impact across club floors, streaming services and beyond. For fans of dance music, pop‑crossover hits, and the evolving interplay between music and culture, this is one to watch.
- Episode 185: Interview With The Cast of VAPE! The Grease Parody!
Off-Broadway’s latest wild ride, Vape! The Grease Parody , has descended upon New York City, leaving a trail of glitter, vapor, and outrageous laughter in its wake. At the heart of this high-octane reimagining are Scott Silagy and Lara Strong, leading the charge as Danny and Sandy—names everyone knows, but here brought back to life through a TikTok lens and a fog of strawberry-scented irony.
- Men Must Stop Wasting Attention on Women Out of Their League
Modern men are failing—not because they lack opportunity or instinct, but because they are misallocating what is perhaps their single most valuable resource: attention. In an era of infinite scroll, filtered feeds and monetized desire, men are surrendering their time, focus and even money to women who do not reciprocate, who are not aligned with their life, their values or their goals. This isn’t simply a dating misstep—it is a fundamental erosion of masculine discipline, self‐worth and the possibility of meaningful connection. The dating market is broken and, in many ways, men broke it by continuing to reward behaviour that demands everything and gives nothing. Every “like” on an influencer’s post, every “heart” in a comment section, every late‑night message to someone who wouldn’t make time for you—these are not merely harmless impulses, they are deposits into an account that will never yield interest. Meanwhile, real women—women with character, ambition, integrity—get sidelined because the energy of men is already spent chasing the illusory rather than the real. This isn’t about looks. It’s about alignment. A woman who is “out of your league” is not simply one whose photo you admire, it’s one whose life doesn’t intersect with yours—whose emotional maturity, lifestyle, pace or intentions don’t match your own. And yet men persist in giving their attention to those whose reality doesn’t ever intend to include them. They hope. They wish. They donate. They lose. What is happening now is the mass devaluation of male energy. Men are pouring their attention into women they have no compatibility with, no relationship with, and absolutely no chance of building the kind of life they say they want. They’re donating time and effort to digital illusions—Instagram models, TikTok stars, cam‑profiles—while bypassing women in their own neighborhood whose lives could truly intersect with theirs. Picture a man earning a respectable income yet spending money each month on subscription sites, tipping profiles he’ll never meet or be chosen by, while a woman who might genuinely complement his life is ignored simply because she doesn’t post selfies in a bikini or chase “engagement.” This is not support—it is abdication. As men continue to chase fantasy, the actual women who might offer value, growth and partnership are invisible. Nurses, teachers, entrepreneurs building quietly, women rooted in reality—these women get no attention because men have trained themselves to chase what they don’t have, rather than align with what they could build. Simultaneously, men ghost women who show up, who invest effort, who might mirror their values, because the ceremony of chasing fantasy feels more thrilling than the reality of building something. That’s not just a mistake—it’s self‑sabotage. Attention is a currency—and right now, men are spending it recklessly. Every time you drop a like on a woman who doesn’t know you, comment for a reaction you’ll never monetize in life, spend money on content you’ll never touch in person—you are signaling to yourself and the world that your energy is cheap. Women—and people in general—respond to what you tolerate and support. If you tolerate giving your attention to someone who gives none back, you teach others how to treat you. Swipe culture and social media have manufactured the illusion of infinite options. You believe you’re free, that your “market” is wide open. But you’re chasing illusions: highlight reels, filtered lives, digital personas. The women you’re investing in may not even have you in their universe. They may have monetized attention. Your body, your presence, your real life—they become the downgrade in a world optimized for ever‑new novelty. The algorithm will always win. It doesn’t age. It doesn’t have baggage. It doesn’t ask for emotional Laboure. It just learns what your partner pauses on and delivers a better version faster, smoother, louder. What once was noble—chivalry, leadership, protection, provision—is now twisted. Men are told to give endlessly, as if infinite attention is the normal supply. But when you give attention without standard, without discrimination, you become commodified. You become a cost center. If a woman doesn’t want you when you’ve given nothing, she doesn’t deserve you when you’ve given everything. This pattern does not only hurt you—it hurts the next generation. When men constantly pour attention into paid content, followers, influencers who will never be partners, they train their minds to crave attention rather than produce value. They normalize an economy where emotional availability is measured in subscriptions and likes. If you’re fine spending $20 a month on an image or profile that will never acknowledge you, do not be surprised when your own daughter sees this as a “career path,” or your own son replicates the behavior. There are four key binaries that help clarify this dynamic: High‐Value Attention vs Low‐Value Attention : High‑value attention goes to someone who matches your energy, your pace, your goals—someone who meets you. Low‑value attention goes to someone who never chooses you, never meets you, never invests back. Intentional Attention vs Aspirational Attention : Intentional attention is grounded in reciprocity and compatibility. Aspirational attention is grounded in fantasy, hope and what you wish someone would become rather than what they are. Aligned Attention vs Misplaced Attention : Aligned attention goes to someone whose life lane, habits and trajectory mirror yours. Misplaced attention is wasted on someone whose world has no crossing point with yours. Invested Attention vs Donated Attention : Invested attention builds value—character, life, connection. Donated attention is given freely to someone who gives nothing back and you never get that time or energy back. Understanding these categories is vital if you are to stop being wasted. Because when you realize attention is a strategic asset—not a commodity to hand out to every profile—you begin to treat it with respect. Chivalry isn’t dead. Rather, it’s been hijacked. The idea of honoring a woman, protecting and uplifting isn’t flawed—it’s just manipulated. Because today, men are honoring phantom ideals rather than authentic partnership. They are protecting illusions rather than building relationships. They’re providing for projections rather than sharing lives. That’s not chivalry. That’s performance. What happens when this continues unchecked? Men wake up one day having built nothing substantial in life—no business, no deep relationship, no legacy. They’ve trained their mind to crave brevity, novelty, surface connection. They’ve normalized digital sex work as legitimate aspiration. They’ve taught their daughters that attention from followers is more valid than attention from a family. They’ve taught their sons that value is given by how many profiles they like, not how many lives they improve. And what of the women? Women who could build, who could partner, are drowned out by the static of those who seek attention. Women become performers. Men become audiences. And genuine partnership disappears in the audience’s hall of mirrors. So raise your standard. Start giving attention like a king—not like a beggar. Protect your energy. Invest it where it grows. Stop trying to be chosen by someone who doesn’t even see you. Start choosing someone who sees you, meets you, aligns with you, invests with you. Focus on building your body, your brand, your bank, your belief system. Because only then will your life attract people who belong in it. Don’t waste another moment in a fantasy. The game changes the moment you start playing by your rules. The world shifts the moment you stop giving your attention away for free and start demanding something real in return. Because attention isn’t a volume—it’s a value. Men, stop being spectators in your own life. Show up. Choose wisely. Give your attention to those who earn it, reciprocate it and match your pace. The rest? Let them consume themselves. You’re advancing. You’re building. You’re real. Start treating your attention accordingly—and watch what happens.
- Millie Bobby Brown Stands Her Ground on the Red Carpet At Stranger Things Premier
Millie Bobby Brown’s response on the red carpet at the Stranger Things 5 premiere in London was not just a spontaneous moment—it was a message. When a photographer shouted at her to smile, and she fired back with “Smile? You smile!” before walking off, it was clear this wasn’t about being difficult or temperamental. It was about something deeper—agency, boundaries, and refusing to be reduced to a photo-op accessory. As someone who has watched Millie’s rise from the beginning—from child star to a young woman building her own brand—her moment of defiance didn’t surprise me. If anything, it felt overdue. For years, she has navigated immense scrutiny, particularly on her appearance. From tabloid speculation to fashion critiques and social media commentary, Millie’s every move has been dissected under a microscope, often in ways that are far harsher than what her male counterparts experience. The command to “smile,” shouted in a public space with dozens of cameras pointed at her, wasn’t just an innocuous request. It was a demand to perform—to comply, to entertain, to be palatable. Millie responded the way any woman who’s had enough would. Her answer wasn’t disrespectful, it was assertive. And as the editor of a publication that focuses on culture and character, I found it powerful. It showed a young woman who knows her worth and is unwilling to shrink herself to meet someone else’s expectations. In that moment, she flipped the script, reclaiming control over her image and asserting that she is not on the carpet to please anyone’s lens but her own. It’s a move that many public figures talk about, but few execute so succinctly. It’s not the first time we’ve seen celebrities push back against this kind of behavior. Artists like Chappell Roan and even industry veterans like Denzel Washington have had similar confrontations with photographers who crossed a line. In each case, the media coverage typically divides into two camps—those who call it unprofessional and those who see it for what it is: a rejection of entitlement. Millie’s decision to speak up, walk away, and not entertain the idea that she owes the public a smile reminds us how often we condition women in the spotlight to be constantly agreeable, constantly charming. What stands out to me is the context. Millie is now 21. She’s an executive producer. She runs her own beauty brand. She’s newly married. She is not the child who first appeared in a shaved head on Stranger Things nearly a decade ago. And yet, for many fans and media voices, she’s still trapped in that image. There’s a stubborn reluctance to let her evolve into adulthood without commentary or constraint. When she refuses to smile on cue, it’s not a tantrum—it’s a conscious break from the expectations that have followed her since she was a preteen. This moment on the red carpet was also layered with symbolism. Wearing a dramatic couture gown, custom shoes that referenced her character Eleven, and standing at the edge of what is essentially the closing act of a defining chapter in her career, Millie wasn’t there just to be looked at. She was there to be seen—on her terms. The fact that she chose to shut down a seemingly minor red carpet exchange speaks volumes about where she is mentally and professionally. She’s no longer willing to be shaped by the gaze of others. In today’s hyper-connected world, that kind of stance is more than admirable—it’s essential. Young women, especially those in the public eye, are constantly balancing visibility with vulnerability. Millie’s refusal to smile on command sends a signal not just to the photographers but to fans and followers as well. It says: I am not here to make you comfortable. I am here to be myself. And if that self doesn’t feel like smiling, that’s okay. As an editor, I’ve covered countless red carpet appearances, and most pass without incident. But every once in a while, there’s a flash of something real. Unfiltered. Not curated for Instagram or rehearsed for the press. That’s what Millie gave us. She reminded us that being a celebrity doesn’t mean forfeiting your right to have boundaries. It doesn’t mean agreeing to every unspoken rule of decorum that’s long overdue for reexamination. And most importantly, it doesn’t mean performing for those who mistake access for ownership. Millie Bobby Brown’s response wasn’t about a smile. It was about self-respect. And in a world that still expects women to be quiet, cute, and compliant, her choice to push back was the loudest kind of power.
- Episode 184: Interview With Ruby Dee Philippa
Ruby Dee Philippa doesn’t just defy categorization—she rewrites it. Raised between the wild foothills of Northern California and the dust-streaked plains of the Texas panhandle, her early life unfolded like a country-western ballad with punk rock chords. She rode horses near Folsom Prison, entered San Diego State University at 15, and found herself immersed in the San Francisco punk scene by the early '80s. Her journey from outsider teen to internationally touring musician and published author is as layered and unpredictable as her music.
- Episode 183: Interview With Chris McKhool
After nearly two decades away from the children’s music spotlight, three-time Parents’ Choice Award winner Chris McKhool returns with Little Leaf—a heartfelt, eco-conscious album that blends joy, education, and global sounds. Set for release on November 7, 2025, Little Leaf is a radiant follow-up to his JUNO-nominated and CFMA-winning FiddleFire ! and reaffirms McKhool’s status as one of Canada’s most imaginative and inspiring artists for families.
- Episode 182: Interview With Nancy Hite
In a financial world often defined by numbers and risk tolerance, Nancy Hite brings a rare blend of insight, empathy, and straight talk to the conversation around retirement. As the founder of The Strategic Wealth Advisor LLC ® in Boca Raton, Florida, Hite has spent over 25 years helping clients make sense of their financial future, with one overarching mission—ensuring they never outlive their money.
- Episode 181: Interview With Nashay Naeve
In the precise world of engineered manufacturing, few leaders stand out like Nashay Naeve . As President of the Engineered Plastic Components division at Tsubaki Nakashima, she brings more than technical acumen to the table—she brings a global vision shaped by experience, cultural fluency, and fearless ambition.
- Episode 180: Interview With The Founders Of Projo.
Coffee has long been a daily ritual for millions—a reliable burst of caffeine to kickstart the day. But what if your morning brew could do more? Enter Projo *, the brainchild of partners Charbel Mawad and Lisa Hermosillo, a functional coffee brand blending high-performance nutrition with premium, organic ingredients. Projo isn’t just coffee—it’s coffee 2.0.
















